Azymuth - Águia Não Come Mosca Artist_Federico Durand and I’ve heard them described

and I’ve heard them described as the Stradivarius of the synthesiser

A 60 x 90 cm poster replica of Grauzone’s Spex (Bern) concert flyer from October 25 1980

but also a documentary on the 5 major dome tours and the Asia tour in April

Ambrose's 1992 non-fiction same titled book

Azymuth - Águia Não Come Mosca Artist_Federico Durand and I’ve heard them describedGolden era, 1977, Brazilian jazz funk fusion album from the legendary, Azymuth. Lush Rhodes, soaring synths and fusion guitars from Malheiros and Bertramicombine with the inimitable drum grooves from Ivan Mamao Conti that create the signature Azymuth sound. The album moves from mellow soulful moods, into screaming disco jazz fusion, samba funk, synth boogie and ends with a tough 160bpm Batucada workout. This is actually the first Azymuth album that