You and I OOP veers between oblivion and salvation

veers between oblivion and salvation

Jack Woody returned to the surviving glass-plate negatives

I could easily have been taken for one of them

"William Eggleston’s latest monograph features photographs taken during the early 1970s using a large-format 5 x 7 camera

You and I OOP veers between oblivion and salvationEssays by Sylvia Wolf and Vince Aletti Ryan McGinley has selected the best photographs from his first decade of work for this beautifully realized volume. McGinley makes large scale color photographs of his friends, a group that forms part of New Yorks Lower East Side youth culture. He uses photography to break down barriers between public and private spheres of activity. His subjects are willing collaborators: drawn from skateboard, music, and